For the past decade, Scheissfinger has been crafting eloquent albums about indelicate matters. Here we'll soon have lots to say about the matter.

But for now you can check them out on iTunes, or shop the whole catalog at Fiendish Endeavor

 

We promise you we will have more here soon...

Summer of Glove (2008)

The summer of 2007 found the boys once again at loose ends.It being the 40th anniversary of the famed Summer of Love, a psychedelic excursion was called for. The result is Scheissfinger’s most ambitious project to date. Topics ranging from the Hebrew ritual of circumcision to monkeys in space - with a smattering of stalking, pedophilia and ghostly hauntings - are found throughout. For the first time in over four decades the hippie generation has been unmasked, shown to be the frauds and hypocrites they really are. Only Scheissfinger could manage to make such a revelation so compelling. The album is an homage to the music of that bygone era, but also a deep commentary on how the hippie generation failed miserably... Failed to legalize marijuana and LSD, failed to keep an erection, failed to redistribute America’s wealth, and somehow failed to keep sex free. And, in many cases, failed to stay alive... Ahhhh, if only Jimi were with us now...

Cumalot: The Deep Throat Musical (2007)

“Deep Throat” was a movie phenomenon ripe for the picking. Naturally, Scheissfinger reached for the forbidden fruit, taking this masterpiece of pornography and updating it for the 21st Century. The task of making it into a musical was a flash of inspiration, and the boys didn’t flinch from having to play the role of women. This uncompromising stance led to some utterly incredible cross-gender vocal parts the likes of which have not been heard since Lotte Lenya, the most famous case of a man singing like a woman.

Not content with the oral... um, aural... nature of the musical format, the boys also took the production one step further, introducing the visual element with an elaborate puppet show to accompany the music. This is family entertainment at its best, particularly if you don’t mind your children seeing a Jesus freak nurse puppet give another puppet oral satisfaction.

click here for more about Cumalot

 

Yanto! A Rock Opera (2006)

The trauma of sloughing through a prestigious, pompous and puerile exclusive boy’s school left its mark on the members of Scheissfinger. Freudian psychoanalytic methods prescribe a deep and personal relationship with the psychic structural elements of our past. The boys kept it simple, opting for a deep and personal relationship with their own collective doo-doo. The result was this epic work, a rock opera with all the pomposity, swagger and arrogance of [unnamed work by The Who] and [unnamed work featuring a hippie Jesus].

 

Smell My Finger (2004)

This magnificent blast-from-the-ass masterpiece was the project that launched the Scheissfinger message. Loud and brash, sensitive and touching... The Scheiss-dialectic is held in perfect tension here. This is the platinum standard by which all that is subversive and disgusting about rock-and-roll can be judged.

The album was recorded in Austin, Texas with the aid of Gayraj Willie and his magic bag of analog tricks. From the classic Bar-Mitzvah grandmother rape scenes depicted in the masterful “Oh Grandma!” to the hip groove of “Pole Rider,” this album has it all. Deep probing analysis (believe me, the Scheiss biys love any word with “anal” in it) of the male psyche can be found in the standards “I’m Not Gay” and “Sensitive Guy.” And the über-rare novelty of a Scheissfinger political commentary can be heard in “Song of Songs,” a curious mix of anti-Bush/Cheney/Rove politics and a grave misreading of the Hebrew scriptures.